Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts

Sunday, October 16, 2016

When Doves Fly won an award!

I'm tickled pink to report When Doves Fly won an Honorable Mention in the genre category in Writer's Digest Self-Published book awards!

"Honorable Mention?" you say, with your mouth pulled askew and a feigned look of appreciation.

Yes, yes, I know. Honorable mention usually means:


 
 
 
 
But in this case, it really is an honor. This competition attracts thousands of applicants and only awards a few top places and honorable mentions. So it's actually kind of a big deal.
 
And I'm especially proud that my debut was considered high quality by the folks at Writer's Digest, who know a thing or two about books.
 
Thank you, Writer's Digest, for recognizing my work.
 
I'll be off celebrating. By painting the bathroom. (I'm weird, I know.)

Sunday, January 10, 2016

Marketing a Debut Novel: Bring Wine, Waders, and an Iron Will


The launch of When Doves Fly, my debut Historical Fiction/Western, has been a whirlwind, and I’m still a bit dizzy. I discovered that authors, especially indie authors, are no longer just writers. We must wear many hats to ensure success, and my most recent chapeau is that of Book Marketer Extraordinaire. I’m certainly no expert, but I have gained some knowledge, and I’ll explain the different options I've tried and detail my experiences (and mistakes) through a series of posts. I hope it sheds light on the process and makes it a little less overwhelming for those learning how to pimp their wares.
 
 



I immersed myself in research about how to sell books. It’s involved a great deal of time, frustration, and strong cocktails. The first thing I learned is there’s little reliable information available for newbie authors. Few authors are willing to let others in on what’s worked for them—or if they are, they write a ten page book, charge $10 for it, and proceed to tell you that you need to invest in a sandwich board and a bell. Take any advice you glean from some random “bestselling” author who “sold” eight million books in a day with a huge block of salt (chances are their rank lasted for 5 minutes on Amazon in an obscure subgenre that contains 5 books, and the "sales" were free downloads.)

Much of the advice bandied about is contradictory; use Facebook, Facebook sucks; offer a giveaway, giveaways don’t work; make your book free, free books are bad. There’s also a lot of downright false information and a good number of people advocating unethical practices contrary to various platforms’ rules, either due to ignorance or lack of integrity. Familiarize yourself with the guidelines for each platform and follow them. Don’t take shortcuts or shoot yourself in the foot by breaking the rules—it’s not worth it. Wading through all of this is exhausting, and it often feels like you’re no further ahead than when you started. But if you educate yourself, you’ll be in a position to take advantage of opportunity.

The second thing I learned is that there’s no magic bullet or formula that will work for every author or book. We must tailor our approaches to genre, audience, platform, budget, time, moon phases, and planetary alignment. A debut author with no backlist will need a different approach than an author with ten books. Marketing plans need to be individualized and flexible. I adapted strategies to meet my needs, and you should do the same. My novel is a debut that straddles genres, and it’s not in a “hot” genre, so I’ve had to find ways around those hurdles. A YA author will typically have more options and need to use different platforms, or an obscure genre will need to target much tighter and be able to focus resources rather than spreading them around. You’ll need to analyze your genre and audience to find the best ways to reach them. Your readers’ habits will determine which strategies work best for your book. So your first task is to figure out who your readers are, where they hang out and look for books, their spending habits, and their underwear sizes. Some of the answers may surprise you.

Then, decide your goal before implementing your marketing plan. Some marketing will focus on long term results, and some is more about short term. One strategy might gain exposure, while another will produce sales. Some tools require more time or money, or both; figure out which resources you have and focus on the methods that utilize those.

In the three months since the launch, I’ve worked on both exposure and sales, and found methods that work and ones that don’t. In short, Amazon ads produced the most sales; Goodreads ads and a giveaway produced good exposure and some reviews. Book bloggers, especially a team of reviewers, are excellent advocates, but finding the right ones is tricky. Enrollment in KindleUnlimited was a good decision; the Kindle Countdown deal, while not as successful as I hoped, did give a good bump in sales. Some promotion sites I used during the Countdown deal had a good ROI (Return On Investment,) some did not. Facebook ads were a miserable failure—but I concede that for certain genres, with a lot of work, they could be successful. However, I don’t believe they offer a good ROI overall. Of course, all of these require a strong presence on social media, and it goes without saying that your success will depend a lot on the quality of your book, cover, and blurb.

Stay tuned over the next month for the nitty gritty and feel free to ask questions.


ON TO PART 2
 

Find Lauren's book on Amazon:
US 
UK

Thursday, November 26, 2015

What to do While You Wait for that Other Bird


Great news! When Doves Fly will be on a Kindle Countdown Deal starting on Turkey Day. So while the bird cooks--the other bird!--or during those long drives over the river and through the woods to Grandma's house, you can read a book reviewers are calling "gritty, complex storytelling" and both "timeless and fresh." Works on planes, trains, automobiles, wagons, and even horses.


Amazon:
http://amzn.to/1Vtd7ZF
Amazon UK
http://amzn.to/1hMaMX6
Print
http://amzn.to/1Lr7B3p
https://www.createspace.com/5754093

To request a signed print copy, use the contact form here:
http://www.authorlaurengregory.com/Contact.html

 
 
Excerpt from When Doves Fly by Lauren Gregory
 

Two horses occupied the pen, and both looked used up.

The livery operator, even harder used than his horses, eyed Lily with an arched brow. He wore chaps molded to his legs and a cowboy hat with holes. Tanned rifts covered his face and shifted in strange patterns as he talked.

“Where ya headed?”

Cheyenne,” she lied.

“Where’s yer men folk?”

“I’ll be making this trip alone.”

“Missy, that’s a long ride. Oughtta at least wait for a party goin’ out.”

Lily set her jaw. “I’ll worry about that. How much for that one?” She pointed to the less-swaybacked roan.

“That’s Charlie. Let you have him for $50.00. Can you even heft a saddle on yer own?”

Her lips pursed, and she walked to a rack loaded with saddles. Struggling, she lifted one over her head. “Satisfied?”

The horseman shrugged. “All right. But ain’t no way you can make it all the way to Cheyenne on yer lonesome. Bandits roamin’ all over now, even if the ride don’t kill ya.”

“Will you sell me the horse or not?”

He opened a packet from his vest and stuffed a plug of tobacco in his cheek. “I reckon.”

“Do you have any mules?”

“For what?” His eyes narrowed.

She tossed him a withering look. “A pack mule, of course.”

His gaze wandered. “Nope. No mules.”

Lily followed his glance and walked to the corner of the building. Several mules munched hay at a paddock trough. She rounded on the man.

“Just what are those? Pigs?”

“Bad enough if I sell you the horse, but that’ll only getcha in so much trouble. I ain’t sendin’ you out on the trail with two animals you can’t handle.”

“Then I’ll have to find someone who wants to make money. Thank you and good day.”

He stuck his leg out, blocking her attempt at a huffing exit. “Listen, missy. You don’t look as if you been doin’ much trail ridin’. I’ll allow you might handle the horse on yer own, mostly ‘cause he’s too old and tired to do much but eat. But a jack’s a different animal, and tryin’ to lead one while you ride ain’t easy, even for trail men with some miles under their belts. What do you need to pack, anyhow?”

Lily pressed her lips together to stop their trembling. She wanted to tell him to mind his business but lifted her chin. “Goods.”

“Er … you can buy goods in Cheyenne, reckon? It’s a bonafide city these days. Stores and everything.”

Cheyenne isn’t my final destination. Will you sell me a mule, or are you going to spend all day asking questions?” Her nails dug into her palms.

He looked her up and down. “I can’t do it. Take my advice: don’t try it.”

She fumed but changed her tack and offered a sweet smile. “What if I take a hired man? Can I, please, have a mule then?”

“Do I look that brainless?”

“No, truly, I promise. You’re right; I shouldn’t do it on my own. I’ll hire someone. Do you know where I can find a reliable hand?”

The horseman considered her and wagged a finger. “I’ll give ya the address. And I’ll check up on it, too.”

She paid him $95.00 for the horse, mule, and a saddle. As he saddled the horse, he looked at her skirt.

“You know how to ride a western?”

She didn’t meet his gaze. “Of course.”

When he finished, she led the animals away, with no intention of hiring anyone.
 
 

Monday, October 26, 2015

Liar, Liar


The flashing lights sprayed blue and red bruises around our living room. I huddled behind the couch in my nightgown. A man and woman in crisp blue uniforms hefted a black bag onto a stretcher, pushed levers, and lifted the bed like Mom did with her ironing board. Blood smeared the lady’s name tag, but I’d seen it when she came in. It said Glenda. The name of the good witch. The good witch come to clean up after the bad.

Two men in regular clothes stood in the kitchen doorway writing in little notebooks. One pointed to a dark stain on the recliner. His mouth moved, but I couldn’t hear what he said. The hoarse cackle still filled my head and drowned out everything.

A lady rushed in and scanned the room. She spotted me. Her jaw dropped before she caught herself and closed it. She started toward me, crouching down and holding out a hand while whispering hushing sounds—like when you’re trying to catch a scared animal. That’s how they always treated me. Like a scared, stupid animal.

She knelt and said some stuff I still couldn’t hear. Her hand took mine, and she tried to pull me up. My legs wouldn’t work. I tipped over. She wasn’t a big lady, but she scooped me up and carried me out to a car, still shushing.

I don’t remember much of the ride or being brought into the police station. They sat me in a gray little room with a table and a paper cup of apple juice. I felt a little better. Nothing could hide there.

One of the regular-clothes men came in and pulled a chair closer. He sat and bent down to catch my eye. The cackle had faded.

His voice was deep and soft. “Your name is Lizzie, right?”

I nodded.

“Can you tell me what happened, Lizzie?”

I swallowed. “The bad witch came again.”

His face turned mad, and he shook his head. “Lizzie, we don’t have time for games. You need to tell us what happened.”

“It’s not a game. She…she came again a-a-and killed my mom.”

The muscle in his jaw tensed. “Fine. I’ll play along. Who is the witch? How’d she kill her?”

“I-I don’t know who she is. She just comes…when I get mad. She has long talons on her hands. She,” I sniffled back a sob, “she stuck them in my mom’s neck.”

He sat back and sighed. “Lizzie, we know you did it. You’ll be in less trouble if you just tell the truth and explain what happened.”

Like it had before, my chest tightened as if someone gave me a big bear hug. I closed my eyes and tried to will it away, but my skin flushed hot. I told myself she wouldn’t come now—there was no way she could get in without everyone seeing. She only came when she couldn’t get caught.

Even the witch blames it all on me. After she killed Mom, I asked her why.

The witch cackled. “You wished she would die, didn’t you?”

I had…but I didn’t mean it. I couldn’t help being angry when Mom accused me of lying about what happened when Mrs. Jackson, my teacher, died. Mom said I had to quit making stuff up so they could catch the real killer. I told her I wasn’t making it up. Being mad just happens. I can’t help it.

The regular-clothes man slammed a hand on the table and made me jump.

“Listen, I have a lot of work to do. If you aren’t going to tell the truth, you’ll just go straight to jail.”

I wanted to yell but kept my voice quiet. “I’m not lying. Don’t call me a liar.”

“Don’t lie, and I won’t have to.”

My throat closed up. The anger went from calm to boiling. I shook my head and told it to go away…but it never listened anymore. Just like the witch.

The last thing I remember is her head rising behind the man, her hair covered in moss and green slime, wrinkled hands coming up, talons curling in toward his neck, slicing through the skin. The cackle had returned.
 
Now I sit in a cold room made of cushioned walls.

I shudder and scrunch my shoulders up over my ears as best I can with the jacket on, but the noise comes from inside me, and I can’t shut it out. How she makes me hear it when she’s not even around puzzles me—but then again, all of it does.

Dried blood covers my face and hair, and little pieces flake off when I move. I don’t know how so much blood got on me. I wasn’t close enough. Another puzzle.

More regular-clothes men had come into the little gray room. I huddled in the corner. The original regular-clothes man sprawled on the floor, a pool of red-black spreading under him. They had pointed guns at me and yelled and ran around acting crazy. A lady put a white jacket on me that wraps my arms around my back, and they led me down a bunch of hallways until we got to this room.

It’s not fair. They all keep calling me a liar.

The door opens, and a man in a white uniform starts in.

“Damn, I forgot the sedative.” He turns back, tells two men in white doctor coats he’ll return in a minute, and rushes off.

The white coats stand just outside the cushion room in a bare, gray hallway.

One of the white-coat men says to the other, “It’s a severe psychosis. She seems to really believe someone else is doing it. But all the evidence points to her.”

“Well,” the other says, “some kids are just great liars.”

The anger swells up faster every time. Now, it comes in an instant.

The thing with moss and green slime appears behind the white-coat men in the hallway. She slinks toward them.

I try to yell, to warn them, but only a hoarse cackle comes out.



.
Image courtesy of Victor Habbick at FreeDigitalPhotos.net

Sunday, October 18, 2015

I'm Goin' Away

*trigger warning--child sexual abuse
 
 
 
I reckoned Daddy would be mad.

I sat in the bathroom on the edge of the tub, lookin’ at the shiny door handle. The little ridge in the middle pointed sideways. That made me feel funny, weak-like and soggy. My fingers itched to turn it back upright. I just stared and kept my hands in my lap. The old house creaked while it settled, and I thought how thankful I’d be not to hear those sounds no more. I reckoned there was a heap of things I’d be thankful to miss.

***

We lived on Apple Lane, and our creaky house set down by the tracks. That was silly, ‘cause there weren’t no apple trees on our street, only peaches. I lay in bed at night, listenin’ to the trains. They’d scream afore they got to the crossin’. They’d chug and clang past the house, rattlin’ the wavy glass in the window frames. It took them forever to get by, car after car filled with black dusty coal. Teacher said coal turns into diamonds, but I didn’t believe her. I never found no diamonds.

I hated them trains. Their screams reminded me of the orange cat Daddy caught shittin’ under the porch.

“Cats is about as handy as a woman. All they’s good at is naggin’ and shittin’ and fuckin’,” he said. Daddy had lots of ideas ‘bout women.

He took its tail and swung it round and round, laughin’ at the way its hair puffed up. It screamed, the sound windin’ up and fadin’ out. Just like them trains. Acourse, they wasn’t that much alike, specially not when the cat stopped sudden-like against the tree. The bones are still out back, behind Daddy’s old Ford. They turned white and then gray, and I checked every week to make sure they was still there.

After that, I always pictured that cat wailin’ and swingin’ when the trains screamed. It gave me goose pimples, and I had to shut my hands over my ears.

***

As I sat in the bathroom, another creak killed the quiet, and I closed my eyes. Mayhap the wind was comin’ up. I held my breath, so’s I could hear the wind, but it wasn’t howlin’. I opened my eyes and checked the door handle again. It still pointed sideways. I reached out and tried to turn it, real gentle-like. Smooth, cold, slippery. It wouldn’t turn. Down on the floor, the strip of light under the door stayed solid, no shadows breakin’ it up.

Creak. I shut my hands over my ears, closed my eyes again.

***

We wasn’t allowed to lock doors. I don’t mean the front door—that one we locked, acourse. But unless you wanted Daddy to tell you to fetch a switch, and make your butt burn and throb and turn red, you sure didn’t lock no other doors.

Daddy said, “Locked doors mean you don’t trust folks. I reckon you ought trust your family.” He talked ‘bout family a lot.

So we left ‘em open. That’s how Sugarman got in.

At night, after the train screamed, the door swung open real slow. I lay in bed with my ears shut but my eyes open, tryin’ to see who it was. I couldn’t see nothin’ but dark, just like I had my eyes closed. Then a weight come down, makin’ the mattress sag so’s I’d start slidin’ to the edge. Sugarman’s hands caught me, holdin’ me round my belly. I tried to lock my legs together and stayed real still. Acourse, that didn’t help none. Sugarman was real strong.

“Gimme some sugar,” he said. He always wanted sugar.

His breath covered me, sour and sweet, like when the peaches fell off the tree in the backyard and rotted into the black dirt. I hated that smell almost as much as I hated them trains. When the wind was just right, it came in my window with the screamin’ of the trains, so thick I could almost see it.

Sugarman put his slick lips on my mouth. I tried my best to keep my lips shut, but he squeezed my cheeks hard. It made my teeth dig into ‘em, and I had to open. His fat tongue filled my mouth, and it tasted even worse than the peaches smelled. I wished my mind would go away. I wanted to shut my ears and my eyes and everything else. I didn’t want to taste that tongue, or feel the draft on my legs when he pushed my nightdress up. If my mind could’ve gone away, it wouldn’t have mattered what Sugarman did.

***

Mama died a year ago. She stayed in bed for months afore she went. She said she had the cancer. It made her get real skinny. I wanted to sit with her but hated lookin’ at her, so I scrunched my eyes into little slits so only a strip of light come through my eyelashes. She was just a pale blur against the blue flowered sheets. It reminded me of the time we went on a picnic, and she chased me through the field until we fell down and lay on the blossoms, laughin’ in the sun ‘til we couldn’t breathe. But she wasn’t laughin’ in her bed. She hadn’t laughed in a real long time.

“I’m gonna die, Punkin,” she said.

“What’s that like, Mama? What happens when you die?”

“Your mind just goes away, like sleepin’, but you don’t wake up. It makes the pain go away.” She smiled, a blurry, tired smile.

I wanted to know more but was scared to ask. I hoped the goin’ away was like when I turned the TV off and the light shrunk to a bright dot and winked out. Or maybe like water swirlin’ down a drain, without the creepy gurgle sound. I hoped it wasn’t a slow thing, like the peaches rottin’ in the yard, wrinkled and crawlin’ with bugs. Anything but that.

She went to sleep after that, and I reckon her mind went away.

***

I thought a heap about makin’ my mind go away once Sugarman started comin’ in. I knew how to make it go away, ‘cause I saw ‘em do the hogs and chickens. They screamed, too, but without the fadin’. Their screams turned to hissin’ gurgles. I wondered if they had pain and if it went away. They didn’t have much mind, but I reckoned it went away just the same.

I'd took the butcher knife out the shed and went to the bathroom with it.

I'd locked the door and sat lookin’ at the knife for a spell. My reflection stared back at me. I didn’t like that—it made a big lump in my throat—so I stopped lookin’ and left the blade in my lap. Instead, I watched the door handle, listenin’ and waitin’, with the cold porcelain sendin’ chills deep into my bones. I thought about Daddy and everything looked red of a sudden. It got me awful riled up. I reckoned it was Daddy’s fault that Sugarman got in. If Daddy woulda let me lock the door, Sugarman wouldn’t have come, and I wouldn’t need to make my mind go away.

***

The strip of light under the door grew brighter as the sun fell. It was gettin’ to be time. Time’s a funny thing, too. It goes faster just when a body wants it to slow down.

I breathed deep, tryin’ to make my heart quit thumpin’. It sounded funny with my ears shut, like the wind got in my head while a horse thundered in my chest. I took my hands off my ears and picked up the knife. It was heavier and more real, like it might come alive. My fingers held it real tight as I slid down to the floor and waited.

***

When the front door slammed, I took the knife to my neck, just like they did with the hogs.

Everything turned red for real.

Daddy called my name. Footsteps rumbled down the hall. The strip of light under the door broke up and disappeared like when the sun goes behind clouds. The door handle jiggled. I dropped the knife.

“Why’s this damn door locked? You in there, Punkin?”

The red squirted and dripped. Daddy banged on the wood, but it sounded far-off, a rumble in my bones more than my ears. In between the poundin’, a train screamed. I wished my mind would go away afore Daddy got in. He hit the door harder, and it flew open. His eyes opened big, as if he seen a ghost.

“No more Sugarman, Daddy.” My voice sounded funny and made me want to laugh.

But when Daddy leaned over me, I smelled Sugarman’s breath. My laugh came out a whistlin’ scream, like the trains, windin’ up and fadin’ away.





*This piece is not intended to endorse or condone suicide. It was written as a cathartic, therapeutic piece of fiction. If you need someone to listen, please contact the National Suicide Prevention Lifeline at 1-800-273-Talk (8255) or visit www.suicidepreventionlifeline.org.


Image courtesy of Sura Nualpradid at FreeDigitalPhotos.net

Saturday, October 3, 2015

The Caskets -- When Doves Fly Excerpt

In case you missed it, here's one of my favorite scenes from When Doves Fly, my debut #histfic novel set in a Colorado gold rush town in the 1870s.

If you want more, it's available on Amazon in ebook and print!

*  *  *  *  *
 
The caskets lay side by side. Charlotte stood in the parlor doorway, a doll dangling from one hand. She had tried to make herself enter, but her feet wouldn’t move. The black crepe over the windows rippled like ghostly shadows. A glimpse of pallid skin peeked from each coffin.
 
What if they wake? Maggie, their cook, said people sometimes came back to life to claw their way out of their caskets.
 
Charlotte wanted to touch them, to check for life, but a vague fear stopped her. She stayed rooted, cold bare toes on the threshold, eyes fixed on the open boxes, waiting for the children to move.
 
If only Mother would come down. Then I could go in.
 
Charlotte had tried to rouse her mother, but her parents’ door remained locked, and no one answered. Only weak cries had come from the room in the two days since Peter and Cecilia died.
 
Mother had fallen sick, too, but the cholera kept her bedridden for just a day. She’d devoted the next two days to nursing Peter and Cecilia—Charlotte had felt fine. In her delirium, Mother blamed herself for taking the children to the fair, but Charlotte had been the one who pestered until she agreed.
 
If I hadn’t, Peter and Sissy wouldn’t be in caskets. Once a middle child, now an only.
 
After they died, Mother locked her door, and Charlotte hadn’t seen her since. Maggie had arranged the wake and the coming funeral but went home sick—was it only the day before?—after assuring Charlotte that Papa would return home from his business trip any time. Charlotte waited all night, but Papa hadn’t come.
 
Something moved in Peter’s coffin. Charlotte’s eyes widened, and she squeezed Dolly’s arm. A fly drifted from the casket and landed again. She relaxed and released her breath. And waited.
 
The back door banged open. Charlotte didn’t move—she couldn’t. Her limbs had turned to stone.
 
“Eliza!” Papa’s voice rang in the silence. “Maggie?” Footsteps clattered on the wood floor until he reached the hall rug. “Charlotte! Where’s your mother? Why are the drapes …?”
 
His hand fell on her shoulder.
 
She tried to speak, but her cracked lips only trembled.
 
A sick moan came from him, and he pushed past her into the room with the caskets and flies. He bent over the bodies and groaned.
 
“No, no, no,” he chanted. “Peter … Sissy … not both ….”
 
Tears stung Charlotte’s eyes.
 
Papa whirled on her. “Where is your mother?” More a roar than a question.
 
Her body shook. Why is he angry with me?
 
He ran past her and thundered up the stairs. Banging on a door. “Eliza … Eliza!” More heavy footsteps, and he jerked Charlotte by the arm. “Is your mother sick? Where is Maggie? Or Cooper?” He bent, eyes wild, and shook her until her teeth chattered. “Charlotte, answer me!”
 
Sound came from her mouth, but no words.
 
Shoving her aside, he raced upstairs. Yelling and rattling the door as Charlotte collapsed in the parlor doorway.
 
“Papa?”
 
The hall remained quiet. She fell asleep crying, clutching Dolly close.
 
 
 
 
 

Wednesday, September 30, 2015

New Book Release!

I may or may not have peed my pants today. But I will be changing them, rest assured.

One year, ten months, fourteen days. It doesn't sound like that long, but it's taken a lifetime to reach this milestone. This is what I always wanted. Now I've got it.

On Amazon
http://amzn.to/1jwZ7NC



Sunday, September 27, 2015

Sneak Peek at When Doves Fly

An excerpt from Chapter One of When Doves Fly, a new historical fiction novel set in 1870s Colorado, coming September 30, 2015:

Lily Wright departed the train before the other passengers, gripping her carpet bag tight, eager to disappear. The bell clanged their arrival as the train rumbled to a stop, and voices rose over the hiss of steam engines as travelers greeted family and friends. Lily had no one to greet, yet every face resembled her husband’s and filled her with cold dread. Throwing peeks over her shoulder, she dodged and weaved until she found the station agent.

“Where’s the nearest hotel and stagecoach, sir?”

“Welcome to Denver, miss.” He jerked his thumb to the east, beyond the depot. “Plenty hotels within a few blocks, they can get you to a coach.”

She nodded and proceeded inside. People, suitcases, and trunks littered the station. She ducked her head and wound around them. Hair prickled on her neck. Convinced eyes had followed her, she turned, but no one seemed interested. Her heart pounded faster as she skirted the ticket line and burst through the doors to the street.

Wagons lumbered past in the waning evening light. A river of people flowed around her—men in work clothes or suits and bowlers, women in walking dresses with pert bustles—while she stood in front of the depot and searched building signs.

She wanted a smaller place, inexpensive and inconspicuous. She’d thought she would feel safe once she reached Denver, but her anxiety had grown stronger with every mile as the train chugged across the prairie.

Lily negotiated the wide, muddy road with a stream of pedestrians toward a cross-street lined with tall brick and clapboard buildings. When the group reached the other side and went their separate ways, she started up the narrower street, scanning the buildings and stopping at each corner to survey the side roads. After several blocks, a squat, wooden structure with a large sign on the roof drew her attention: The Broadwell House. Her pace picked up.

The noise and chaos fell behind as the traffic and crowds thinned. The buildings cast long shadows over the road, and the mountain sunset blared bright color on the facing side.

Her apprehension dimmed outside the crush of people, and exhaustion weighed her shoulders down. The hotel beckoned. Her hand ached, and she shifted the small suitcase to her other hand as she passed an alley.

An arm shot from the narrow void between buildings and snatched the bag from her fingers. She gasped, but shock throttled a scream in her throat. She swung toward the breach but caught only a glimpse of a darker shadow darting away. Her feet moved a few yards into the alley, but the gloom stopped her.

Wait, what if I catch up with him? Who knows what he might do.

She spun and darted into the road.

“Thief! Help!”              

The street had emptied. The nearest figure, a block away, kept moving in the opposite direction. She opened her mouth to shout again but closed it with a snap.

Heavens, what am I thinking? I can’t get involved with the law here. But my bag ….

She turned back to the alley, but nothing moved, the shadow gone.

“No!”

She stomped her foot and flapped her arms. The bag. Everything. The money! This cannot be happening.

Paralyzed by frustration, Lily couldn’t fathom what to do next. The sun dropped below the skyline. Fear overcame shock. When full dark hit, the street would only present more danger.

She scuttled toward the Broadwell House, where she walked to the clerk’s desk and pulled a purse from her skirt pocket.

“One night, please.”

The clerk flicked her eyes up from a newspaper. “$3.00. No visitors.” She returned her attention to her paper.

Lily dug the money from her purse. The remaining paltry bills and coins worsened the roiling in her stomach. She tucked the pouch back in her pocket and laid three gold coins in the woman’s outstretched hand.

“Up the stairs, on the left.” The clerk slid a key across the desk.

Relieved the woman hadn’t indicated a guest log, Lily snagged the key and hurried to the second floor. She let herself in, slammed the door, and turned the lock.

Minimal furniture filled the modest, tidy room. She bypassed a table with an oil lamp and matches and fell onto the bed. Burying her face in the pillow, she sobbed.

I can’t stay here. He’ll find me here, I just know it. I have to make it to a more remote place. But what will I do when I get there? I can’t start a store with no money. She pummeled the mattress. It’s not fair. All I want is freedom to do as I wish, independence with no one deciding where I can go or how I must live, the chance to be my own. Is that so much to ask?

Dark settled, but she didn’t drift off for hours.
 
 
 
 
 


© 2015 Lauren Gregory All Rights Reserved.

Wednesday, September 23, 2015

It's Here! Cover & Release Date

First, the good news. The cover for When Doves Fly is ready, and I'm in love.

Next, the great news. The release date is set for September 30, 2015 for the ebook.

The long road leads to some amazing places.




When Doves Fly Book Cover
© 2015 Lauren Gregory All rights reserved.